Thursday, April 27, 2017

Seahawks trade Marshawn Lynch to Raiders


Reaction to Marshawn Lynch agreeing to deal with Raiders | Apr 26, 2017

By Seahawks.com

After a year away from football, running back Marshawn Lynch is coming out of retirement to play for the Oakland Raiders. Because there were years remaining on the contract extension Lynch signed with Seattle two years ago, the Seahawks still controlled Lynchs rights, so to facilitate Lynch returning to play with his hometown team, the Raiders and Seahawks will swap picks in the 2018 draft, the Raiders announced. The Raiders will receive Lynch and a sixth-round draft choice in 2018 in exchange for Oaklands fifth-round selection in the 2018 NFL Draft.

Lynch, who the Seahawks acquired in a trade with Buffalo in 2010, became a star and a fan favorite in Seattle, rushing for 1,200 or more yards and double-digit touchdowns for four straight seasons from 2011 to 2014. Lynch, who has rushed for 9,112 yards and 74 touchdowns in his career, earned Pro-Bowl honors in four of his six seasons with the Seahawks and was a first-team All-Pro in 2012 and second-team All-Pro in 2014.

More than stats or awards, what most defined Lynchs tenure in Seattle is the way he helped the team establish a physical identity in its early years under Pete Carroll and John Schneider. As a young Seahawks team was hitting its stride in 2012, Carroll said of Lynch: "I think he really is the key element to putting this thing together from the attitude perspective at least."

That Lynch wanted his return to happen in Oakland is hardly a surprise. An Oakland native who played his college football at the University of California in nearby Berkeley, Lynch has always had an incredibly strong bond with his hometown.

#ThankYouBeastMode

Hes committed to the community, hes not just interested in the community, Californias Lieutenant Governor Gavin Newsom said while attending the annual football camp Lynchs Fam 1st Family Foundation hosts at Oakland Tech High School, Lynchs alma mater.. He recognizes himself in every single one of these kids you see behind me, and he wants to be there for them in the long run.

Hes a guy that didnt take off, a guy that didnt turn back, a guy that didnt abandon them. This is a community where a lot of folks abandon these kids. A lot of folks in my line of work, elected officials, they show up when the cameras are there, then they turn their backs on these kids. This is a community thats a very tight, close community, but a lot of families that have struggles, so for Marshawn to still be around, to keep coming back year-in-year outIve seen some of these kids when they were half the size they are todayand that they know hes still here two, three years later, thats a profound thing. It may not seem like a lot, but they know he came back again, then came back again, and that gives them a sense of continuity in their lives thats so much bigger than a sport, so much bigger than a camp, so much bigger than today. It transcends and gives them a sense of optimism that people do give a d**n about them and that their lives matter.

Injuries limited Lynch to just seven games in 2015, then he announced his retirement with a wordless Tweet during Super Bowl 50. Lynch had an eventful year of retirement, traveling the world, appearing on various TV shows and running his Beast Mode stores in Oakland and Seattle.

That retirement turned out to be short-lived however, and now the 31-year-old lynch will have a chance to finish his career playing in his hometown.

Source: http://www.khq.com/story/35258944/seahawks-trade-marshawn-lynch-to-raiders

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College football analyst Danny Kanell laid off as part of ESPN cuts


UNITE: Danny Kanell "Hate Tweets"

Danny Kanell, a notable ESPN college football analyst and co-host of ESPN Radios russillo & kanell, has been laid off.

the former Florida State quarterback announced the news on Twitter on Wednesday afternoon. He is one of numerous ESPN employees being let go this week, including college football insider Brett McMurphy.

Kanells co-host, Ryen Russillo, reportedly is staying with the company. However, The Hollywood Reporters Marisa Guthrie reports Russillo, SportsCenter anchor Hannah Storm and Baseball Tonight host Karl Ravech will have significantly reduced roles.

Other notable personalities out at ESPN include NFL reporter Ed Werder, college basketball reporter Dana ONeil and college football recruiting writer Jeremy Crabtree. The network reportedly is laying off as many as 100 employees, with most of those cuts affectingon-air talent and writers.

From CNNs report on the layoffs:

ESPN declined to comment on the job cuts. In a note to employees, however, ESPN president John Skipper mentioned the changing habits of viewers.

These decisions impact talented people who have done great work for our company, he wrote. I would like to thank all of them for their efforts and their many contributions to ESPN.

Earlier in the day, possiblybefore he learned of his fate, Kanelltweeted a positive message about the layoffs.

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Source: http://news.google.com/news/url?sa=t&fd=R&ct2=us&usg=AFQjCNFNomlemBypIjdqcRAFpCE9C_S5TQ&clid=c3a7d30bb8a4878e06b80cf16b898331&cid=52779474109539&ei=bycCWejOEpS3qgLhm43wAQ&url=https://www.seccountry.com/sec/danny-kanell-laid-off-espn

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ESPN Layoffs: The Struggling Industry Giant Sheds On-Air Talent


High-profile names among ESPN layoffs

espn was wrapped in Teflon for many years, but big payouts for rights fees plus significant losses in their subscriber base were like punches to the gut and head, and now the company is trying to make sure they are strong enough to fight in the future, said James Andrew Miller, who wrote a book on ESPN and has contributed to The New York Times. Theyve decided one way to do this is to change their approach to content and rely more heavily on digital; this has enabled them to let go of a big chunk of their talent base.

In October 2015, ESPN laid off about 300 people, most of whom were not on camera. The network has been periodically culling its staff as it searches for ways to cut costs and adapts to changing consumer habits, with fans increasingly watching video clips on their smartphones at the expense of traditional highlight shows like SportsCenter. With ESPN locked into long-term contracts for programming rights with various sports leagues, savings must primarily come from a reduced staff.

In a letter to employees on Wednesday, ESPNs president, John Skipper, acknowledged the difficult decisions ahead and suggested what the network was looking for as it reshapes itself.

Dynamic change demands an increased focus on versatility and value, and as a result, we have been engaged in the challenging process of determining the talent anchors, analysts, reporters, writers and those who handle play-by-play necessary to meet those demands, Mr. Skipper said in the statement.

In the most recent quarter, Disneys cable networks division reported $864 million in operating income, an 11 percent drop from the same period a year ago, with ESPN the reason for the entire decline, Disney said at the time. The company blamed higher N.B.A. and N.F.L. programming costs and lower ad sales for the weak results.

Earlier this month, Amazon paid $50 million for streaming rights to 10 of the N.F.L.s Thursday night games for the 2017 season or five times more than what Twitter paid a season ago, according to SportsBusiness Journal, which also reported that Facebook and YouTube bid on the package.

The ESPN layoffs come as Disney accelerates efforts to introduce an ESPN-branded subscription streaming service. The offering, expected this year and made possible by Disneys $1 billion purchase in 2016 of part of BamTech, Major League Baseballs streaming division, will include coverage of sports like hockey, tennis, cricket and college sports mostly rights that are owned by ESPN, but not televised.

You have to be willing to either create or experience some distribution as we migrate from what has been a more traditionally distributed world to a more nontraditional distribution world, Robert A. Iger, Disneys chief executive, told analysts on a conference call in February. And some of that were going to end up doing to ourselves, meaning that we understand there is disruption, but we believe we have to be a disrupter, too.

Photo A 2015 photo of the ESPN headquarters in Bristol, Conn. Credit Jessica Hill/Associated Press

Disney has long relied on ESPNs steadily climbing cable subscriber fees as a profit engine. But cable networks across the board have been losing viewers to online media, which has slowed growth, and Wall Street has responded unfavorably.

Despite assurances by Mr. Iger that ESPN remains strong, investors and analysts have remained concerned about upheaval in the television business. Viewership via satellite and cable services is declining as streaming options proliferate, and ESPN, the naysayers contend, is particularly exposed to a slowdown because Disney has locked itself into lavish, long-term payments for sports rights.

In a sign that Disney had done a good job preparing investors for the layoffs, shares climbed slightly in Wednesday morning trading.

Here are some of the ESPN employees who have made statements on social media so far (we will update this list):

Jay Crawford, SportsCenter anchor

Ed Werder, N.F.L. reporter

Jayson Stark, baseball writer

Trent Dilfer, N.F.L. analyst

Len Elmore, college basketball analyst

Dana ONeil, college basketball reporter

Eamonn Brennan, college basketball reporter

Danny Kanell, Russillo and Kanell radio host

Justin Verrier, N.B.A. reporter

Robin Lundberg, radio host

Calvin Watkins, N.B.A. reporter

Melissa Isaacson, columnist

Ted Miller, Pac-12 reporter

Jane McManus, writer

Ashley Fox, N.F.L. reporter

Ethan Strauss, N.B.A. reporter

Jeremy Crabtree, college football reporter

Brian Bennett, Big Ten reporter

Doug Padilla, baseball writer

Max Olson, college football reporter

C. L. Brown, college basketball reporter

Mike Goodman, soccer writer

Johnette Howard, columnist

Austin Ward, Big Ten football reporter

Joe McDonald, hockey writer

Pierre LeBrun, hockey writer

Scott Burnside, N.H.L. columnist

Jesse Temple, Big Ten football reporter

Jim Bowden, baseball analyst

Mark Saxon, baseball reporter

Brett McMurphy, college football reporter

Paul Kuharsky, Tennessee Titans writer

Derek Tyson, SEC recruiting analyst

Jean-Jacques Taylor, ESPNDallas

Brendan Fitzgerald, ESPNU host

Correction: April 26, 2017

An earlier version of this article misstated the length of ESPNs broadcasting deal with the N.F.L. It is for eight years, not 10.

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Source: http://news.google.com/news/url?sa=t&fd=R&ct2=us&usg=AFQjCNE7-x7eankvzfRJekiwdsahqY7ZNg&clid=c3a7d30bb8a4878e06b80cf16b898331&cid=52779471406407&ei=yiUCWaLlPJSH3AHugreYCg&url=https://www.nytimes.com/2017/04/26/sports/espn-layoffs.html

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Traina Thoughts: Reality about ESPN layoffs; Brandon McCarthy wins Twitter again; more


The Truth Behind ESPN Massive Layoffs
espn layoffs are about one thing and one thing only: Traina Thoughts | SI.com Search

2017 Time Inc. All Rights Reserved.

Source: http://news.google.com/news/url?sa=t&fd=R&ct2=us&usg=AFQjCNHnxuLHkx2qIkD-z-3mbJKG2qHxMA&clid=c3a7d30bb8a4878e06b80cf16b898331&cid=52779472945875&ei=FxYCWenaDtvIqALu242YBw&url=https://www.si.com/extra-mustard/2017/04/26/espn-layoffs

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Travis Scott"s "Antidote" Is Certified 3X Platinum


Travis Scott - goosebumps ft. Kendrick Lamar

The biggest single of Travis Scott"s career has now sold 3 million copies. "Antidote," released in July 2015 ahead of his debut album,Rodeo, received the triple-platinum certification earlier this month by the RIAA. The track, which famously begins with the line, "Don"t you open up that window," is produced by the Toronto duo of WondaGurl and Eestbound. Watch the "Antidote" music video below.

The announcement comes shortly after "Goosebumps," a single from La Flame"s latest album, Birds in the Trap Sing McKnight,received its first (perhaps of a few) platinum plaque.

source: http://www.hotnewhiphop.com/travis-scotts-antidote-is-certified-3x-platinum-news.31557.html

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Alexis Bledel Says The Handmaid's Tale "Raises The Bar" For Her Future Roles


The Handmaid"s Tale: Offred"s Room 360 • The Handmaid"s Tale on Hulu

"It felt like an adaptation of a book, so we had that road map to follow... and then more recently, i"ve become aware of what it was bringing up for people when they watch it," Bledel told Bustle. "Reading some of the reviews have really made me understand better what it might bring up for people. I think it"s going to shock some people at how hard it is to imagine people living in such a world like this one, because as Margaret Atwood has said, she didn"t make anything up. Everything that happens in the book has happened somewhere. Some of it can seem frighteningly real, which makes it scarier."

Source: http://www.refinery29.com/2017/04/151728/alexis-bledel-the-handmaids-tale

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Can "Alien: Covenant" Help the Franchise Remember What It"s About Once More?


Alien: Covenant | Clip Prólogo: El cruce | Próximamente - Solo en Cines

Wasn"t this once a series about scary alien monsters, and not the origins of species?

The release of a second prologue to this summer"s Alien: Covenant was intended as a way to mark this year"s "Alien Day," but it might indirectly highlight just where the franchise has gone wrong in the decades since Ridley Scott"s original movie.

"The Crossing" is, essentially, two-and-a-half minutes of exposition about what happened to Noomi Rapace and Michael Fassbender"s characters after the end of 2012"s Prometheus, paired with some impressive visual spectacle when they arrive at what is seemingly the home planet of the Engineers, the creatures who were responsible for the black goo that eventually created the Xenomorphs that appeared in the 1979 original alien.

for fans of the larger Alien mythology, it"s a short that answers some questions about the end of Prometheus, and teases potential revelations that might come during Covenant. It features none of the same characters from the earlier prologue, but both shorts share two important things in common: a suffocating sense of foreboding and more worryingly, a complete lack of any of the familiar xenomorphic aliens that give the franchise its name (though, there"s plenty of that in the most recent trailer).

For the first three movies in the series, Alien had a central narrative: it was the story of Ellen Ripley"s (Sigourney Weaver) relationship with the titular threat, which shifted from movie to movie depending on the particular obsessions of the director du jour. 1997"s Alien: Resurrection attempts to reboot the franchise by literally rebooting Ripley as a clone, but the continuity is lost and things got more confused with the Alien Vs. Predator movies, even before Ridley Scott returned to the franchise for his prequel projects.

By this point, it"s hard to identify what the Alien movies are actually about, beyond perpetuating their own mythology. Indeed, as the latest prologue to Alien: Covenant demonstrates, the franchise is now focused in large part on topics and concepts that weren"t even part of the series for the first three decades of its existence. The Engineers? The origin of the species and just why it is the way it is? Are those questions that really need to be answered?

In many ways, the trailers for Covenant and certainly the first prologue have made the movie feel like a retread of the very first Alien, or at least a revisiting of that movie"s aesthetic and tone. As unlikely as it might seem, this backwards-looking attitude might just be what the franchise needs right now: a reminder about what made people fall in love with Alien in the first place, and a way to get things back on track.

Well, as long as Michael Fassbender"s creepy androids don"t steal the show again, of course.

Alien: Covenant

Source: http://www.hollywoodreporter.com/heat-vision/alien-covenant-can-franchise-remember-what-again-997907

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