"American Horror Story" recap: The problem with Millennials

American Horror Story 6x10 Promo Season 6 Episode 10 Promo

Justin Kirkland, Special to USA TODAY 7:49 a.m. EST November 10, 2016

Oh, hello Gaga.(Photo: FX)

Spoiler alert: Stop here if you havent seen the gore fest known as the penultimate episode ofAmerican Horror Story: Roanoke.

Breathe in, breathe out. Be thankful youre not on fire or disemboweled or full of bullets. Okay, lets talk about tonights episode.

As most other generations agree, tonights episode falls apart when the Millennials show up. Sophie, Miloand Todd are exploring the Roanoke woods when Diana appears, bleeding. If you said, Wait, I thought Diana was dead? youre right. The teens eventually find her, still trapped in her car. They take the story to the police, but theyre uninterested in these childish pranks. Oh, kids, and their viral videos.

Back at the house, Audrey and Lee have to convince Pig Man/Dylan/TV Ambrose that everyone is, you know, actually dead. The trio formulates a plan to escape while still getting Lees confession tape. Going back to Polk manor, Audrey finds Monet, Lee finds the tape, and Dylan hot-wires a truck, but nothing can be so easy. The Polks are numerous, if anything, so one stabs Dylan as another corners Audrey and Monet. Audrey shoots him and escapes with Monet, but Lee is still out there... abandoned.

Assuming shes dead, Monet and Audrey watch the tapes that reveal that Lee killed Mason. Theyre stunned, but the real stunner is that Lee is surviving in the woods. A figure comes and serves her a pig heart, and apparently pig heart, like tequila, can make you do some questionable things.

The teens go back to Roanoke to do more investigating after posting their footage. They run into Lee, who kills Todd. Sophie and Milo escape to the production trailer after being chased down by a wounded Ambrose. They discover Audrey and Monet still alive, but they also see Lee approaching the house. Sophie insists they have to stop Lee.

At this point, Lee has made it inside the house. Audrey and Monet hear her, but when they find her, shes just staring at the top of the stairs. She tells Audrey and Money they are vile and defiling the house. Clearly, Lee is not feeling like her old one-eared shelf. Monet claps back, but Lee shoves her over the balcony, impaling her on a spindle. Audrey runs, because Audreyis a screaming runner andLee cleaves her in the shoulder before pushing her into the outside bunker.

Of course, were not done Roanoke has shown up to the party. The Butcher disembowels Dylan, and while Milo and Sophie watch it all unfold (literally and metaphorically), Lee grabs them and delivers them to the Roanoke clan. The last footage, collected from Milos cloud, shows Sophie and Milo being impaled, raised, and burned alive.

The police finally show up and find all of the victims, as well as a Lee, in shock, as if she didnt kill off a character from every Ryan Murphy show. They also find Audrey, who has climbed her way out of that bunker. She sees Lee though and attempts to shoot her with an officers gun, but the other officers unload on her. But in a short preview from next weeks finale (thank G*d), we see Lee being interviewed by the one and only Lana Winters.

It was a big episode, yall. We lost Taissa, Sarah, Wes, Jacob, and that poor kid that played Milo. Take care of yourself, stay whole, and come back next week for this bonkers interview.

More fromAHSseason 6:

The "American Horror Story 6" premiere and theme, explained

"American Horror Story" recap episode 2: Hamming it up

"American Horror Story" recap episode 3: Cricket, The Butcher and Gaga

American Horror Story recap episode 4: Roanoke folks should stick together

"American Horror Story" recap episode 5: Brand new show, same old pigs

"American Horror Story" recap episode 6: The fabulous life and death of Evan Peters

"American Horror Story" recap episode 7:The art of curing and tenderizing meat

"American Horror Story" recap episode 8: And then there were three

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Source: http://www.usatoday.com/story/life/entertainthis/2016/11/10/american-horror-story-recap-problem-millennials/93581524/

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American Horror Story: Freak Show: �Magical Thinking�

With only three episodes left in the season, its hard to imagine a satisfying resolution to all the remaining stories of American Horror Story: Freak Show. Introducing more characters at this point doesnt encourage viewers to invest emotionallyor even voyeuristicallyin the stories already established. American Horror Story: Freak Show doesnt need more plotlines. It needs fewer.

But heck, the show was never going to wrap up those stories anyhow, so if Ryan Murphy is going to fritter away the last few episodes (and previous seasons indicate that he will), shoehorning in a Neil Patrick Harris arc is a fine way to fritter.

Or it would be, if it werent so heavy-handed. Just seconds into the episode, Stanley announces with hammy significance that there are two sides to show business. Not surprisinglyfor there are few surprises left in American Horror Story: Freak Showthat becomes the theme of the episode. Two sisters joined together, in their bodies, in their minds, and in their quest for a lover. Two specialists in feats of strength, united to free their jailed comrade. Two police officers beaten to death. Two hands taken, not the one promised. Two women grudgingly allowing an estranged husband to watch their lovemaking. Two madmen longing to saw a woman in half. And, of course, Marjorie and Chester locked in Chesters narrow frame, scheming and battling for supremacy.

In case the doubling isnt enough symbolism, Magical Thinking hammers home the idea of Marjorie as the true personality and Chester as her wooden puppet. Alice objects to him sitting there like a dummy with that puppet. Chester blurts to Marjorie, Stop putting words in my mouth! Paul says Chesters stage makeup makes him look like a wooden soldier from The Nutcracker Suite. Chester, tempted and distraught by their request to deflower them, is calmed only by Dot and Bettes reassurance that you are real, conjuring up Pinocchios desire to become a real boy. Get it? Hes a puppet.

Thats not the end of the over-elaborated narrative. Dells reminiscence of his own youth illuminates his absent fatherhood. He abandoned wife and son not merely as a burden, but as a reminder of his miserable childhood as the black sheep of the famed Toledo lobster-claw clan, an outcast among outcasts. But the scene, ending with Dell tending to Jimmy in the hospital, would have been stronger without his capping line, Im almost 50 years old and Im feeding my son for the first time. The symbolism of the act was clear, even facile. It didnt need to be spoken aloud.

Despite its irrelevance and its overburdened writing, Magical Thinking is laced through with the kind of clever touches that keep me glued to AHS no matter how tangled and unsatisfying its seasonal arcs become. Jamie Brewer is inspired casting for Marjorie. Her voice, so distinctive with its wry mirth, tickled my memory before I placed it, and and the twinkle of her eyes and knowing smile make her a canny choice for a ventriloquists mannequin come to life. She portrays the imagined Marjorie with a balance of menace and matter-of-fact humor that makes the story feel more developed than it is.

Harris carries most of the episode on his shoulders, bringing brightness and depth to a sketched-out part and making the episodes unnecessary departure from the main story a diversion rather than an impediment. As Chester, he moves gracefully from smarmy salesmanship to anxiety to l**t to a childlike yearning, and the agony on his chalky face as he pleads with Marjorie in the big tent is touching.

Chesters longing to be realto be included, to belongis not only an allusion to Pinocchio. It harkens back to Orphans, in which Desiree read The Velveteen Rabbit to Pepper. The performers of Frulein Elsas Cabinet Of Curiosities often reject the banality of the rabbles life, but they also hanker for the inclusion they see as the birthright of the physically normative. (Dandy, Penny, Maggie, and Stanley should be proof enough that genetic ordinariness guarantees nothing, especially not acceptance or love.) But the relative subtlety of the refrain is surprising amid the blaring, blatant excess of the season.

These grace notes notwithstanding, Magical Thinking continues AHSs course as a disjointed collection of incidents rather than a coherent narrative leading to a rewarding end point. The show has enough panache, enough presence and magic and sparkle, that I keep expecting it to deliver something meaningful along with its weekly dose of lurid moments and images.

American Horror Story banks on its standing as an anthology, resetting every year with a stable of gifted actors. But this season is even less substantial than its predecessors. The series resets every season, but AHS: Freak Show feels like it resets every few episodes. Shifting focus, never letting itself unwind a tale or examine a character for more than an hour, introducing and discarding romances and alliances w***y-nilly, killing off characters as soon as their inner self is revealed, this season of AHS: Freak Show never allows anything or anyone to become important or resonant.

Stray observations:

• In Chesters mind, Marjorie speaks with Jamie Brewers voice, but its not clear what Chesters audience hears or what we, the television audience, are to infer. Does Chester provide her voice? Does he stand by, mute, as onlookers puzzle over his silence?
• After all those allusions to Pinocchio, wooden soldiers, and ventriloquists dummies, I cant be the only one who braced for a joke about (ahem) wood when the twins reached for Chesters groin.
• Stanley pretends his plan to sell Jimmys hands is a sudden inspiration, then whips out the emetic necessary to speed it along and ushers in a decoy ambulance attendant. Even Jimmy doesnt seem fool enough to fall for that.
• Emilys speculation corner, with all the potential spoilers that implies: Tonights next week on AHS reveals the return of Danny Huston, which suggests the easiest path to tie up several story lines. He crafted Elsas wooden legs, making him her Geppeto. He will no doubt be pressed into service to create prosthetic hands for Jimmy Darling. And unless Im mistaken, hes the voice of Dandys unseen psychiatrist, so lets hope theres a confrontation coming between our two saw-happy gentlemen and Dr. Feinblum.

Source: http://www.avclub.com/tvclub/american-horror-story-freak-show-magical-thinking-213537

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