Sunday, November 23, 2014

Pitch Perfect 2 Release Date, Updates, Reviews: Have You Seen The Pitch ...



That's right, Rebel Wilson and Anna Kendrick are back with the rest of the Bellas to bring fans along on a whole new journey for the second installment of hit musical Pitch Perfect. The plot, which revolves around the quirks and struggles involving a group of girls engaged in a collegiate a cappella, thickens as the girls step up their game and try for a big challenge.

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Pitch Perfect 2 trailer

As fans already know, the previous movie was concluded with a highly satisfying victory with the Barden Bellas winning the nationals. Naturally, the trailer for the second movie teases the audience with the myriad of possibilities that could possibly happen after the girls have triumphed over their initial feat. A lot of things could happen but as the Pitch Perfect 2 trailer shows, the Barden Bellas have decided to take it global.

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Apart from the girls, the sequel will also feature a handful of the boys from the earlier set. The cast will include the cuddly Jesse who serves as Skylar Astin;s leading man, Ben Platt's Benji, Adam DeVine's bumper as well as a pair of a cappella officials played by none other than Elizabeth Banks and John Michael Higgins. However, this time, Elizabeth Banks will be pulling in thrice the effort. Apart from merely producing and acting, Banks will also make her directorial debut.

As what the events shown in the Pitch Perfect 2 trailer suggest, the plot seems to be taking on a familiar route. The girls will be in it once again as they are thrust into a bigger a cappella competition which borders on a global scale. And much like in the first movie, they enter the battlefield on board an underdog position.

The Pitch Perfect 2 trailer has been tailored to excite fans as it featured "Cups," which became one of Anna Kendrick's***t song right after the movie was released. On top of all the familiar brand of musical numbers, salty humor, and female bonding, the trailer has also shown Rebel Wilson's snappy remarks and pratfalls. After all, what Pitch Perfect movie would be complete without all these?

Check out the trailer here: (Courtesy of YouTube)

https://www.youtube.com/watch?v=KBwOYQd21TY

Source: http://www.crossmap.com/news/pitch-perfect-2-release-date-updates-reviews-have-you-seen-the-pitch-perfect-2-trailer-check-out-13983



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Michael Phelps' Girlfriend: She Confessed To Him She Was Intersex Before ...



She tried to be honest!Michael Phelps girlfriend came forward and revealed she was born intersex to the world on her own terms, but in speaking toHollywoodLife.com EXCLUSIVELY, Taylor Lianne Chandler explains it was only after she told Michael privately.

Taylor Lianne Chandler, the woman who confessed to being Olympian Michael Phelps girlfriend prior to him going to rehab on Nov. 20, has been suffering severe backlash since sharing her story of being born intersex with the world. But even her harshest critics dont know all the details, as Taylor explains that she told her secret to Michael before she told anyone else.

Taylor Lianne Chandler: Michael Phelps Knew I Was Intersex

Michael, 29, has been ignoring all of Taylors, 41, attempts of communication since her story became headlines on Nov. 20. While the generealassumption is that Michael is avoiding Taylor for deceiving him, Taylor explains that she was nothing but honest about her past. I told my story to Michael a day before I posted it on my private facebook and then public, Taylor tells HollywoodLife.com EXCLUSIVELY.

She goes on to explain that those who consider her a fame w***e for parading her story around and hiring a publicist are jumping to conclusions before knowing all the facts. Why do I have a publicist? Because I am an interpreter, I had a company website, I am licensed, credentialed and my contact info was public., she explains. I thought by telling my truth and feeling free for the first time in 41 years that this would stop. Instead I am just an evil born a man, fraud, never dated Michael liar to the world.Michael PhelpsGirlfriend Says: He Hasnt Called Since I Revealed I Was Intersex

Perhaps the worst of all this drama for Taylor is that she has lost what she thought was a real connection with Michael. Afterher past became public knowledge and tabloid headlines Taylor waited for Michael to call her. But he didnt and he still hasnt.

I went through h**l for him. I protected him. I stayed quiet as the media ripped me apart for seven weeks. I have trusted him and fell for him. My past, my livelihood has all been exposed and taken from me, yet I am evil and destroying his life. I have friends that cant be on my social media because they dont want to be linked to this. I cant go to the gym, the mall, or anywhere without people knowing who I am, first as Michaels girlfriend portrayed by the media, and then by my whole past, Taylor tellsHollywoodLife.comEXCLUSIVELY. Poor girl.

What do you think about her story, HollywoodLifers? Let us know in the comments below.

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Dina Sartore-Bodo, Reporting byShira Benozilio

More Michael Phelps News:
  • Michael Phelps Embarrassed That He Didnt Know Hookup Girl Was A Guy
  • Michael Phelps: Out Of Retirement For One Last Shot At Olympic Glory
  • 2013 ESPY Awards Winners: Michael Phelps & More Full List
  • Source: http://hollywoodlife.com/2014/11/22/michael-phelps-girlfriend-taylor-lianne-chandeler-intersex-confession-before-rehab/



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    Narco culture surrounded slain Miss Honduras



    SANTA BARBARA, Honduras --

    Maria Jose Alvarado expected some difficult questions about her country at the Miss World pageant in London, so the 19-year-old beauty queen enlisted a teacher to help her prepare.

    They reviewed the history of Honduras, including the military-backed coup in 2009 that sent the president into exile. They went through the daily newspapers to discuss politics and the gang and drug violence that makes this small Central American republic one of the most dangerous countries in the world.

    The odds of winning the Miss World crown were long, Alvarado knew, but she practiced her English in the weeks ahead of the pageant, just in case she needed an acceptance speech, said Jose Eudaldo Diaz, the philosophy professor who was coaching her.

    "She knew that the questions would be about the insecurity and violence because that is what the world knows about Honduras," Diaz said. "Her goal was to explain that she wanted to contribute to a Honduras in which children could walk the streets without fear of being murdered."

    No one ever got to hear Alvarado's speech, and she didn't get to the pageant. She was shot to death along with a sister, their bodies discarded on a riverbank. They were laid to rest in a rain-soaked cemetery Thursday.

    ___

    The senseless murder of Miss Honduras along with the older sister, Sofia, is both a family tragedy and a national outrage in a country that had seemed to be sleepwalking through a homicidal bloodbath. While many of the daily dead are gangsters, drug traffickers and police officers, many others are taxi drivers, journalists, abused women and other nameless innocents caught in the line of fire.

    Alvarado would have fallen into the last group were it not for the fact she was unusually beautiful, and rose from humble roots in the hinterlands to represent Honduras on a world stage.

    "If she had been any other girl, if she hadn't been Miss Honduras, this would have been one more crime amid the impunity of Honduras," said Jose Luis Mejia, director of the Technological University campus in Santa Barbara, where Alvarado studied. "They would have said what they always do: that this was the settling of accounts between drug traffickers, and they wouldn't even have bothered to investigate."

    Most South American cocaine headed for the United States passes through Honduras, and Santa Barbara is on a main corridor from the brutal city of San Pedro Sula to the Guatemalan border. Officially, the killing of Miss Honduras and her 23-year-old sister isn't related to drug trafficking. Police say Sofia's suitor, Plutarco Ruiz, confessed to shooting the sisters in a jealous rage after she danced with another man at his birthday party. He killed Sofia first and then shot Maria Jose twice in the back as she tried to flee.

    But to Alvarado's friends and family, the killings are the result of a traditional machismo made worse by the wealth and muscle of drug traffickers.

    "This region is imbued with narco culture represented by the image of a man who moves in a big car, drinks, takes drugs, walks around armed and is bad," Mejia said. "The culture of violence and death."

    ___

    Santa Barbara is a Spanish colonial town of one-story houses with wood posts holding up clay-tiled roofs. Its parents are, for the most part, conservative Roman Catholics who walk their daughters to and from high school in the belief that unaccompanied young women should not be on the streets. Smoking and drinking in public are scorned, if not prohibited, and beauty pageants in this region don't allow contestants in bikinis.

    The town is surrounded by fog-shrouded mountains and coffee farms, its dirt streets muddied by days of heavy rain. A house once owned by 19th century Honduran President Luis Bogran serves as the private high school and university where Alvarado was enrolled and planned to study international relations. In a covered patio, her friends held a candlelight vigil with a slideshow of pictures from Alvarado's pageant and modeling career.

    Nusly Casana, a classmate of Alvarado's since kindergarten, described what a tough town Santa Barbara is for women.

    "They tell you: 'Don't' dress like that. Don't go out. What are you doing, where are you going? Who are you going with, what will people say?" Casana said.

    "A man is free, a woman not; a man may choose and a woman not. And along with this is the violence that begins at home from childhood and continues throughout life. ... To call the murder of a woman by a man a crime of passion, to talk of jealousy, is to avoid the daily reality of violence against women," she said.

    Casana recalled how she and Alvarado used to carry their Barbie dolls to school in their book bags. Alvarado loved beauty and fashion and talked of wanting to grow up to be like Barbie.

    The youngest of three sisters, Alvarado began competing in pageants at age 13. She won Miss Northwest Honduras, Miss Teen Honduras and, finally, Miss Honduras, the stepping stone to the Miss World pageant.

    After each competition, she would come back to Santa Barbara and share the details of her experiences with friends, who described her as generous and innocent to the point of naivete. She still wore braces on her lower teeth.

    "Her successes were our successes," said Ludin Reyes, another schoolmate. "We were friends and fans."

    While Alvarado pursued her dream, and her oldest sister married and moved away, Sofia was not so lucky, friends and officials said. She was a teacher until the school where she worked closed, and in love with a married man who left his wife to be with her, but was murdered in October 2013.

    Then Sofia took up with Ruiz, who confessed to killing the sisters. Ruiz was known about town as a man to be feared from a family deeply involved in drug trafficking, officials say. Although he had no police record, he was seen as someone who could offer protection or eliminate enemies.

    "This is a drug trafficking corridor," said Lt. Col Ramon Castillo, an army officer in charge of security in Santa Barbara. "David Ruiz, Plutarco's brother was 'the bull' and when he was killed in February, Plutarco took his place. ... Plutarco is a violent person with a bad character and he solves everything with a pistol in his hand."

    Casana said everyone warned Sofia that Ruiz was dangerous, but she wouldn't listen.

    "The worst machismo is the one in the head of women who think that a drug trafficker is a powerful man who gives her what she doesn't have, protects her and makes her look good in a society that values money and power," Casana said.

    ___

    It's a mystery to Alvarado's friends why she went with her sister to the rundown "spa," or riverfront restaurant, that was believed to be a place that Ruiz used to conduct illegal business. But Alvarado looked up to her big sister and, after baking a cake together, apparently wanted to join Sofia to celebrate Ruiz's birthday.

    Ruiz had six security guards at the Nov. 13 party, Castillo said. According to police, Sofia and Ruiz got into a heated argument over her dancing with another man. He shot the two women and with the help of a friend buried them by the river, spreading lime to make the bodies decompose more quickly.

    The next day, Ruiz told Alvarado's family the women had left the party with someone else, and he invited them for lunch. Later, he even went with them to file a missing persons report with police. But eventually investigators wrested a confession from Ruiz and, nearly a week after they disappeared, he led police to their bodies. Ruiz and three alleged accomplices were arrested.

    Mayor Juan Alvarado says most of the town's 29,000 residents know who's who and what they do. He says it is widely believed police waited days to interrogate Ruiz to give him a chance to escape. But in a country where impunity prevails, he didn't run.

    "He felt so immune that he didn't flee because he trusted they would never detain him," said the mayor, who is not related to the beauty queen's family.

    Now that Ruiz is behind bars, the army should round up the rest of the drug traffickers in the area, Alvarado said. "As mayor, I receive threats for any little thing and I have to provide my own security so someone doesn't come put a bullet in me."

    At her modest home on an unpaved road, Alvarado's distraught mother is left to grapple with the loss of her beauty queen daughter and the sister who led her to her death.

    "Poor Sofia," said the mother, Teresa Munoz. "I forgive her because she was responsible for what they did to her sister, for the fact that Maria Jose died, too."

    (Copyright 2014 by The Associated Press. All Rights Reserved.)

    Source: http://abc30.com/news/narco-culture-surrounded-slain-miss-honduras/405778/



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    Saturday, November 22, 2014

    Multifaceted Mike Nichols Changed the Face of Entertainment



    When acclaimed director Mike Nichols, 83, died Wednesday, the entertainment world lost a rare director who was equally respected for his artistic achievements and for his ability to create timeless crowd-pleasers (occasionally simultaneously).

    A multi-talented and witty presence whose work cuts across media (hes one of a dozen or so people to have won the coveted EGOT-Emmy, Grammy, Oscar, and Tony), Nichols leaves a legacy that would probably stand on the strength of The Graduate alone. He achieved an almost nonstop list of hits (with the very occasional dud) that spans four decades and a multitude of genres.

    If there is any comfort in his passing, it's that younger generations will be able to discover and appreciate his work in the coming weeks as retrospectives and memorials fill the airwaves. Nichols leaves behind a vast and rewarding body of work.

    Photo Gallery: Mike Nichols' Decade-Spanning Legacy in Entertainment

    Born in Berlin as Mikhail Igor Peschkowsky, Nichols fled Germany in 1938 (alone, at age seven, with his three-year-old brother in tow), settling with his father who set up practice as a doctor in Manhattan.

    During his early days, Mike Nichols moved between New York City and Chicago, starting a folk radio program that is still on the air today. He joined a sketch comedy team (The Compass Players, a predecessor to the famed Second City), where he would meet Elaine May and create an off-and-on writing and comedy partnership that would last for the remainder of his life. Their comedy show was one of the first great improv teams to take pop culture by storm.

    In 1962, Nichols moved to theater direction, a passion that was probably even more important to him than film. He directed the early Neil Simon plays, including Barefoot in the Park, that would come to represent the comedy style of the 1960s and be hugely influential in the development of sitcoms.

    By the mid-60s, Nichols incredible success as a theater director led Warner Brothers to come calling for the film version of Whos Afraid of Virginia Woolf? The success of this film allowed Nichols to make The Graduate, including giving him the muscle to insist on a short, Jewish leading man over the studio pressure for Robert Redford, who Nichols considered too self-assured to be the nervous Benjamin. The film became the highest grossing film of 1966, won Nichols the Oscar for Best Direction, and became #7 on the AFIs list of Greatest American Movies of All Time (In the 2007 revision, it dropped to #17).

    In the 1970s Nichols did have a few flops with his valiant but ultimately failed adaptation of Catch-22,the strangeThe Day of the Dolphin, and the aimlessThe Fortune. His 1971 film Carnal Knowledge, though, was a bit of a landmark; the film hasnt aged terribly well, but in the maelstrom of the sexual revolution, it was something of a scandal. Also, Art Garfunkel plays one of the two main characters, for absolutely no good reason.

    Related: The 17 Best Political Films of All Time

    Following his middling track record in the 70s, Nichols again retreated to the theater, where he directed the original theatrical run of Annie, which ran for six years (2,377 performances) and never really left the publics imagination.

    During the 80s, when many of his contemporaries faltered, Nichols came roaring back to the cinema in style. His true-to-life whistleblower drama Silkwood (written by frequent collaborator Nora Ephron) was praised as the most serious work he had ever done; it further cemented Meryl Streep as the greatest actress of her generation and discovered the actress within Cher.

    His winning streak continued through the 80s, with Ephrons semi-autobiographical Heartburn, the low-key but charming Neil Simon adaptation, Biloxi Blues, and the smash hit, Working Girl. It is worth noting, particularly with the masculine-centric nature of so much of the work of his contemporaries, how often women were front and center in Nichols work, both in front of the camera and as collaborators.

    In this vein, his adaptation of Postcards from the Edgerescued Carrie Fisher from an eternity as Princess Leia and began her rehabilitation (both career-wise and personally) as one of the go-to script doctors in Hollywood before she decided to re-don the famous hair buns.

    Nichols did have a couple of flops in the 1990s with the painfully boring and mawkish Regarding Henry and the incoherent Wolf. But The Birdcage putt him right back on top. Twenty years of advances in gay rights might have blunted the effect of the film, but it is fairly extraordinary that he was able to make that kind of statement with some of the most beloved actors of the time in the mid 90s.

    His adaptation of Primary Colors was more memorable for its casting and its obvious relation to our real president (and First Lady) at the time. His final two films, Closer (2004) and Charlie Wilsons War (2007), were both decently reviewed but little seen. It was his work on television and his beloved theater that would be his final contributions to pop culture.

    His adaptation of Tony Kushners Angels in America was widely praised for sharing an understanding of gay rights. He also got what will probably be the last good performance out of Al Pacino.

    On the stage, the surviving members of the legendary Monty Python troop recruited him to direct the stage adaption of their 70s classic,Monty Python and the Holy Grail. Spamalot ended up becoming a giant success that still runs to this day and was integral to Broadways recent revival.

    He won his final honor, a Tony, for his revival of Death of a Salesman in 2012 (starring the late Phillip Seymour Hoffman). He will be missed by generations to come.

    Click here for Photo Gallery: Mike Nichols' Decade-Spanning Legacy in Entertainment

    Top Reads from The Fiscal Times:

    Source: http://www.thefiscaltimes.com/2014/11/20/Multifaceted-Mike-Nichols-Changed-Face-Entertainment



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    Multifaceted Mike Nichols Changed the Face of Entertainment



    When acclaimed director Mike Nichols, 83, died Wednesday, the entertainment world lost a rare director who was equally respected for his artistic achievements and for his ability to create timeless crowd-pleasers (occasionally simultaneously).

    A multi-talented and witty presence whose work cuts across media (hes one of a dozen or so people to have won the coveted EGOT-Emmy, Grammy, Oscar, and Tony), Nichols leaves a legacy that would probably stand on the strength of The Graduate alone. He achieved an almost nonstop list of hits (with the very occasional dud) that spans four decades and a multitude of genres.

    If there is any comfort in his passing, it's that younger generations will be able to discover and appreciate his work in the coming weeks as retrospectives and memorials fill the airwaves. Nichols leaves behind a vast and rewarding body of work.

    Photo Gallery: Mike Nichols' Decade-Spanning Legacy in Entertainment

    Born in Berlin as Mikhail Igor Peschkowsky, Nichols fled Germany in 1938 (alone, at age seven, with his three-year-old brother in tow), settling with his father who set up practice as a doctor in Manhattan.

    During his early days, Mike Nichols moved between New York City and Chicago, starting a folk radio program that is still on the air today. He joined a sketch comedy team (The Compass Players, a predecessor to the famed Second City), where he would meet Elaine May and create an off-and-on writing and comedy partnership that would last for the remainder of his life. Their comedy show was one of the first great improv teams to take pop culture by storm.

    In 1962, Nichols moved to theater direction, a passion that was probably even more important to him than film. He directed the early Neil Simon plays, including Barefoot in the Park, that would come to represent the comedy style of the 1960s and be hugely influential in the development of sitcoms.

    By the mid-60s, Nichols incredible success as a theater director led Warner Brothers to come calling for the film version of Whos Afraid of Virginia Woolf? The success of this film allowed Nichols to make The Graduate, including giving him the muscle to insist on a short, Jewish leading man over the studio pressure for Robert Redford, who Nichols considered too self-assured to be the nervous Benjamin. The film became the highest grossing film of 1966, won Nichols the Oscar for Best Direction, and became #7 on the AFIs list of Greatest American Movies of All Time (In the 2007 revision, it dropped to #17).

    In the 1970s Nichols did have a few flops with his valiant but ultimately failed adaptation of Catch-22,the strangeThe Day of the Dolphin, and the aimlessThe Fortune. His 1971 film Carnal Knowledge, though, was a bit of a landmark; the film hasnt aged terribly well, but in the maelstrom of the sexual revolution, it was something of a scandal. Also, Art Garfunkel plays one of the two main characters, for absolutely no good reason.

    Related: The 17 Best Political Films of All Time

    Following his middling track record in the 70s, Nichols again retreated to the theater, where he directed the original theatrical run of Annie, which ran for six years (2,377 performances) and never really left the publics imagination.

    During the 80s, when many of his contemporaries faltered, Nichols came roaring back to the cinema in style. His true-to-life whistleblower drama Silkwood (written by frequent collaborator Nora Ephron) was praised as the most serious work he had ever done; it further cemented Meryl Streep as the greatest actress of her generation and discovered the actress within Cher.

    His winning streak continued through the 80s, with Ephrons semi-autobiographical Heartburn, the low-key but charming Neil Simon adaptation, Biloxi Blues, and the smash hit, Working Girl. It is worth noting, particularly with the masculine-centric nature of so much of the work of his contemporaries, how often women were front and center in Nichols work, both in front of the camera and as collaborators.

    In this vein, his adaptation of Postcards from the Edgerescued Carrie Fisher from an eternity as Princess Leia and began her rehabilitation (both career-wise and personally) as one of the go-to script doctors in Hollywood before she decided to re-don the famous hair buns.

    Nichols did have a couple of flops in the 1990s with the painfully boring and mawkish Regarding Henry and the incoherent Wolf. But The Birdcage putt him right back on top. Twenty years of advances in gay rights might have blunted the effect of the film, but it is fairly extraordinary that he was able to make that kind of statement with some of the most beloved actors of the time in the mid 90s.

    His adaptation of Primary Colors was more memorable for its casting and its obvious relation to our real president (and First Lady) at the time. His final two films, Closer (2004) and Charlie Wilsons War (2007), were both decently reviewed but little seen. It was his work on television and his beloved theater that would be his final contributions to pop culture.

    His adaptation of Tony Kushners Angels in America was widely praised for sharing an understanding of gay rights. He also got what will probably be the last good performance out of Al Pacino.

    On the stage, the surviving members of the legendary Monty Python troop recruited him to direct the stage adaption of their 70s classic,Monty Python and the Holy Grail. Spamalot ended up becoming a giant success that still runs to this day and was integral to Broadways recent revival.

    He won his final honor, a Tony, for his revival of Death of a Salesman in 2012 (starring the late Phillip Seymour Hoffman). He will be missed by generations to come.

    Click here for Photo Gallery: Mike Nichols' Decade-Spanning Legacy in Entertainment

    Top Reads from The Fiscal Times:

    Source: http://www.thefiscaltimes.com/2014/11/20/Multifaceted-Mike-Nichols-Changed-Face-Entertainment



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    League of Legends Gameplay and Update 2014: A Breakdown of the New 4.20 ...



    First Posted: Nov 21, 2014 11:42 AM EST

    Riot Games is launching one of their biggest updates ever for "League of Legends" in preparation for 2015, reportsLazy Gamer.

    Patch 4.20 delivers many changes with the big theme being "Strategic Diversity," which is an attempt to widen the tactical options in individual games.

    Riot's Chris "Pwyff" Tom explains the strategic diversity concept in the company's 4.20 patch notes:

    1. Strategic Diversity

    "Our high-level philosophy is we want to offer you more paths to victory so that your in-game decisions matter just as much as the champions you pick," he writes. "In previous years, we've lacked the proper systems and levers to balance different strategies against each other, so when teams would discover unique ways to win, we'd either have to watch Ziggs bomb the stuffing out of people in stall / poke compositions, or we'd just have to tackle the manic yordle on a personal level."

    2. Tactical Problems.

    "This year, rather than trying to 'fix' tactical problems from the previous season, we're instead introducing a metric ton of changes to map-wide objectives, a complete rehaul of the jungle and jungle itemization, and a number of strategic item additions and modifications," says Riot.

    Riot hopes that with these changes, how players strive for victory will vary with each game, thus providing "strategic diversity and experimentation in League."

    Due to the enormous size of the update, Riot anticipates imbalance, which the company promises to address "as things play out," reportsIGN.

    The company encourages player feedback in order to make necessary adjustments.

    IGN recommends gamers check out the following four developer blog guides that go deeper into the update specifics:

    1. Increasing Strategic Diversity

    2. A New Jungle

    3. Forging a Diverse Armory

    4. Diversifying Objectives

    Gamers can also refer to the new League of Legends Preseason 2015 micrositefor more information.

    2014 Latin Post. All rights reserved. Do not reproduce without permission.

    Source: http://www.latinpost.com/articles/26297/20141121/league-legends-gameplay-update-2014-breakdown-new-4-20-patch.htm



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    Sneak peek: Packers add muscle to 'Pitch Perfect 2'



    Anna Kendrick, Rebel Wilson and Brittany Snow star in "Pitch Perfect 2," directed by Elizabeth Banks. Universal Studios

    Jordan Rodgers as well as Green Bay Packers players T.J. Lang, Clay Matthews, Don Barclay, David Bakhtiari and Josh Sitton appear in "Pitch Perfect 2."(Photo: Richard Cartwright, Universal Pictures)

    Three decades ago the NFL's Chicago Bears sang and boogied their way into America's hearts with The Super Bowl Shuffle rap video. Next year, some Green Bay Packers will up the pop-culture game by muscling onto the big screen.

    Offensive linemen David Bakhtiari, Don Barclay, T.J. Lang and Josh Sitton, linebacker Clay Matthews and quarterback Aaron Rodgers' brother Jordan make a cameo appearance alongside assorted actors and a cappella singers in the sequel Pitch Perfect 2 (due out May 15).

    Bakhtiari, a Pitch Perfect super-fan and the ringleader for this group of aca- all-pros, isn't quite ready to pronounce that their performance is better than that of those champion Bears', but "it was good enough to make the trailer, which was awesome," says the California native, 23, who's in his second year in the NFL.

    Directed by Elizabeth Banks, the sequel to the 2012 popular musical comedy finds Beca (Anna Kendrick), Fat Amy (Rebel Wilson) and the rest of the Barden Bellas competing with the best vocal groups in the world. Just like in the first movie, there's an epic "riff-off" sequence with lots of musical groups, including one with a bunch of 300-pound guys who usually showcase their talents at Green Bay's Lambeau Field.

    Matthews gets his sleeves ripped off and flexes his sizable biceps in the trailer, causing Fat Amy to reply, "I could be the ham in that man sandwich."

    The Packers worked out their own choreography, but Bakhtiari is secretive when it comes to what song they may be singing. "We have extremely good voices outside of the movie and we've got unbelievable footwork," he says. "If I was a betting man, I would assume they'd try and implement that."

    He's a longtime Pitch Perfect devotee and shared the film with his fellow linemen, who became equally enamored. (Matthews "probably won't ever come out and say it, but he's a closet fan," says Bakhtiari.) They quote lines and play the soundtrack in the locker room, and have even been known to drive to practice lip-syncing to tracks by the Bellas.

    Packers lineman David Bakhtiari can't pick a favorite among Beca (center, Anna Kendrick) and her fellow Barden Bellas in "Pitch Perfect 2."(Photo: Richard Cartwright/Universal Pictures)

    During his rookie year, Bakhtiari often would tweet about Pitch Perfect, and even sent actress Alexis Knapp a message that the "o-line" wanted in on a sequel. Producer Max Handelman, Banks' husband, noticed his fandom and followed him on Twitter, and they scheduled the Packers to come down to Baton Rouge, La., for four days this past summer to film their scene.

    "I was extremely happy that the one-in-a-million shot ended up working," Bakhtiari says. "When we got there, it spiced some things up."

    Banks is a director who thrives on energy, she says, and the enthusiasm and excitement the Packers brought to Pitch Perfect was infectious."

    If he's ranking himself against his fellow Packers in their big scene, "looks-wise I'm on top," Bakhtiari says. "Singing-wise, I'm probably middle of the pack. T.J. Lang, I've gotta give him props, he probably has the best voice. Josh, too, but he's too shy to let it out. And all of us have some sweet moves."

    He found Banks to be a good coach on set. "She's open and she's good at getting what she wants out of individuals. The biggest thing is she's passionate and she loves what she does."

    Does Bakhtiari have a favorite Bella, though?

    "That's a trap question," he says with a chuckle. "I love them all, each one of them in their own way."

    Read or Share this story: http://usat.ly/1zJHf4x

    Source: http://www.usatoday.com/story/life/movies/2014/11/21/green-bay-packers-pitch-perfect-2-sneak-peek/70038924/



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